Thurs. 1/27
It was lovely to see everyone in person on Tuesday! And thanks for such a great class discussion! We covered a lot of ground, from the truthiness of Sedgwick’s axioms to her idea of “the closet” and current conceptions of coming out, to David’s struggle with coming out to himself and the subsequent impacts that has on the settings and characters around him in the first part of Giovanni’s Room. For today’s work, I’d like us to work on one of the exercises we didn’t have time for in class, and to address some of the themes of taboo and transgression we began to discuss, now that you have finished the second half of Baldwin’s novel.For the prompts below, please respond
Part I: The 1950s, Queer Folks, and Medical Rhetoric
As we began discussing the first part of Giovanni’s Room, the word “shame” came up in our conversation a few times. David clearly is struggling to accept a major part of himself, and that continues throughout the second half of the book as he explores his relationship with Giovanni further. On Tuesday, I handed out a speech from 1957 given by Dr. Albert Ellis, a medical doctor and straight “ally” arguing for the need for greater tolerance and acceptance of the LGBTQ+ community. His argument is posed by laying out steps for how queer folks can make themselves more acceptable to straight folks. (…Remember, this was the ’50s…) The speech features some of the medical rhetoric very common to the period in discussions of the LGBTQ+ community. (For more on some of the harmful ways that type of rhetoric impacted queer folks throughout their lives, take a look at Queer Literacies by my dissertation advisor, Mark McBeth. It’s a sad read at times, but so, so excellent.) After reading reading through Ellis’s speech, I’m wondering where you can see connections between the that diagnostic rhetoric and the recurring elements of shame seen in Giovanni’s Room? How does shame get tangled up in the book with David trying to “fix” himself? Conversely, is there another healing going on in the book, counter to this institutionalized version alluded to in Ellis’s speech?
*If you don’t have the hard copy of the speech from our handout, here is the PDF.*
Part II: Taboo and Transgression Throughout the Novel
We talked a lot about transgression and taboo when we discussed Foucault, and those words came up again in our reading of Sedgwick. Where do we see those ideas popping up in Baldwin’s text, particularly in the second half of the book? How do they operate as major themes in the novel? As a result, how can we start to read Baldwin through the lens of Foucault’s theories of sexual production and repression?
We’ll be discussing Judith Butler next week, with Dana giving us our first theory presentation on Tuesday. Butler focuses on embodiment and conceptions of gender and sex in society. If you have any questions or need any help understanding the readings, feel free to see me during my office hours or to schedule a meeting with me. I’m happy to help! 🙂